I’ve made a habit of late-night studio sessions, as those early morning hours have always held a grasp on my senses. Perhaps it’s the lack of sleep, which in its own right leads to a lack of inhibitions, and thus, a sense of clarity, or at least the feeling of acceptance of the inevitable. Regardless of the logic, I find myself drawn to the darkness, and it’s pull has never seemed stronger, and that’s a good demon to have in your corner afterall, when you’re looking to make something happen on canvas.

Last month I posted several initial images of my current work, ‘Dakota Requiem, Works from the Extinction Layer’. They just didn’t seem finished, more so, they seemed distant to me, and that’s not a good direction to be headed with a new body in the works. So, I went back to the shadows for a bit, hence the darkness, late at night mindset, to look for a  fresh way out. Not only that, but to try to make a way out from the sameness, as the plain half-spun feel of these works bothered me, more so, they nearly sunk the prospects of the entire project.

Now, I feel that these assembled pieces have a greater sense of belonging, a stronger visual directive, and coherent language too. It’s an ongoing process, and as I continue to work in the coming months, it’s my intent that the work will develop into new and unforeseen directions, at least that is the hope, and what makes me stay awake at night.

I’ve labeled these as ‘Works from Series One’, I have a tendency to avoid individual titles, they often seem to forced, rather, I’m drawn towards the collective body, hence the simplified titles. We’ll call them as they are, 1, 2, 3, and go from there, it’s like pages in a great novel, Series One is just the first chapter to ‘Dakota Requiem’. I hear it’s a real page turner too!

Anyhow, as so far as the technical, these works measure 30×40 inches, on a 1 3/8 stretched 10 oz canvas. Be sure to take notice of the heavy impasto,  the introduction of several new tones and colors, and look for the unexpected too. (ignore those messy spots too, they’re fresh from the easel afterall)

If it’s in the paper…

Posted: August 13, 2010 by eastofegan in Graphic Content, Redefining the Artist

I was caught, along with Kiel, by the quick lens of the Sioux Falls Argus Leader last Friday at DrawnTown. This feature ran on Saturday’s edition, pg 2 for all you gawkers.

Going, going, gone…

Posted: August 9, 2010 by eastofegan in Figge, Redefining the Artist

It’s the last week of ‘Lillian L. Brand’s Legacy: The First 10 Years of the Brand Boeshaar Scholarship Program’ at the Figge Art Musuem, which I’ve been honored to be a small part of. The exhibition itself runs through August 15th, and then, it’s gone forever.

Look to your left, a little karma can be spotted, in a little picture too!

I’m back from DrTSF, which was just this last friday in Sioux Falls, with 2 fresh works of karma for all of you to enjoy. These are from my new body of work, ‘Dakota Requiem’, and are indeed a small part of the developing Series One. (Series Two is coming, give me a few weeks to work it out)

As so far as medium, I continue to work with oil-sticks (essentially wax and oil) and they were completed on a stretched canvas, which measures 16×20, with an extra deep profile too. Check out that heavy paintwork, it’s getting thick around here, and a little bright too.

If you’re ever interested in any of these works for your own collections, it’s great to have an original after all, feel free to email chris@eastofegan.com, and we’ll figure those details out.

Also, be sure to catch me in DeSmet this Saturday at The Harvey Dunn Plein Air event, more on that later this week.

Yes, I’ll be headed towards DrawnTown this Friday in Sioux Falls, which a part of the Eastbank Block Party this time around, hence ‘Mash-Up’. (I’m excited about the official buttons)

For those of you who haven’t heard, Drawn Town is the absolute best artist-centered opportunity to work, connect, and just enjoy being a creative-being, it just works. Simply bring a few supplies, like a sketchbook, that’s always popular it seems, then draw, converse, and wait for it, a life-changing moment may just come and surprise you!

If anyone from the 57042 area wants to join along for a free-ride, let me know, I’ve always got room for a friend. (Feel free to comment below)

Here’s the first few works from ‘Dakota Requiem’, a small part of ‘Series One’, as things have started to come together, at least this past weekend.

These works measure 30×40, on a stretched canvas, 1 3/8 deep, with a deep brown primer too. I’ve used so-called ‘Artists Paintstiks’, which I tend to call ‘Oil-Sticks’, which is a mixture of wax and oil, which dries in a quick 2-3 days, as opposed to a not-so-quick 12-18 months, and thus makes things easier to live with. (as the smell and toxicity of traditional oil painting can cause some issues in the home-life)

Over the next few weeks, I’ll be going into factory mode, otherwise known as the time in which I’ll crank out as many fresh works as I can. You gotta act when things work right, or at least when you think they do, we can but try!

I’ll be bringing some fresh canvas and Oil-Sticks to DrawnTown this Friday, at the Eastbank Block Party (8th & Railroad Center), starting at 6pm in Sioux Falls. We’ll see how it goes, working in oil on the road could be a challenge, but I’d like to cause a little trouble, and besides, who else is willing to try this? (look for the messy hands, and be sure to shake, it’s only polite after all) (Image Correction- New images uploaded, now that’s color!)

On the road again with East of Egan, more so, on the I-29 corridor.

Looks like a few fresh sketches from ‘Dakota Requiem’ (that’s the first mention of the title) are coming to Brookings tomorrow, for the 34th Annual Fine Arts Exhibition, sponsored by the Brookings Arts Council. I’ll be headed up to Brookings late next year for a joint exhibition, so these are meant to be a few teasers for the so-called ‘big show’.  

Anyhow, this exhibition runs from August 3rd – 27th at The Community Arts Center, so feel free to check them out! There is also a closing reception on August 27th from 5:30-7:30, how about them apples?

Now for more work:

Geeking about the KT Boundary

Posted: July 15, 2010 by eastofegan in K-T Boundry, South Dakota Arts Council

I’ll be exploring the KT Boundary first-hand within the next few weeks, thanks to an Artist Project Grant from the South Dakota Arts Council, which I received this past year.

As I prepare for this forthcoming body of work, I wanted to take a moment to clarify a few of the basic principles and theories of the KT Boundary.

Let start with a general definition:

From the Merriam-Websters Online Dictionary http://www.merriam-webster.com/dictionary/k-t%20boundary

Main Entry: K–T boundary
Function: noun
Etymology: K (alternative for C as abbreviation for Cretaceous) + Tertiary
Date: 1983

: the transition between the Cretaceous and Tertiary periods of geologic time characterized by a mass extinction of many forms of life including the dinosaurs; also : a geologic stratum marking this boundary

Let’s review the KT Boundary time-frame and the Alvarez Impact hypothesis:

From wikipedia http://en.wikipedia.org/wiki/K%E2%80%93T_boundary

The K–T boundary is a geological signature, usually a thin band, dated to (65.5 ± 0.3) Ma (megaannum, or million years ago).[1] K is the traditional abbreviation for the Cretaceous period, and T is the abbreviation for the Tertiary period. The boundary marks the end of the Mesozoic era and the beginning of the Cenozoic era, and is associated with the Cretaceous–Tertiary extinction event, a mass extinction.[2] With “Tertiary” being discouraged as a formal time or rock unit by the International Commission on Stratigraphy, the K–T extinction event is now called the Cretaceous–Paleogene (or K–Pg) event by many researchers.[3]

Alvarez impact hypothesis Main article: Alvarez hypothesis

 
 

In 1980, a team of researchers consisting of Nobel prize-winning physicist Luis Alvarez, his son, geologist Walter Alvarez, and chemists Frank Asaro and Helen Michels discovered that sedimentary layers found all over the world at the Cretaceous–Tertiary boundary contain a concentration of iridium many times greater than normal (30 times background in Italy and 160 times at Stevns[4]). Iridium is extremely rare in the earth’s crust because it is a siderophile, and therefore most of it travelled with iron as it sank into the earth’s core during planetary differentiation. As iridium remains abundant in most asteroids and comets, the Alvarez team suggested that an asteroid struck the earth at the time of the K–T boundary.[5] There were other earlier speculations on the possibility of an impact event, but no evidence had been uncovered at that time.[6]

The evidence for the Alvarez impact theory is supported by chondritic meteorites and asteroids which have an iridium concentration of ~455 parts per billion,[7] much higher than ~0.3 parts per billion typical of the Earth’s crust.[5] Chromium isotopic anomalies found in Cretaceous–Tertiary boundary sediments are similar to those of an asteroid or a comet composed of carbonaceous chondrites. Shocked quartz granules and tektite glass spherules, indicative of an impact event, are also common in the K–T boundary, especially in deposits from around the Caribbean. All of these constituents are embedded in a layer of clay, which the Alvarez team interpreted as the debris spread all over the world by the impact.[5]

Using estimates of the total amount of iridium in the K–T layer, and assuming that the asteroid contained the normal percentage of iridium found in chondrites, the Alvarez team went on to calculate the size of the asteroid. The answer was about 10 km (6.2 mi) in diameter, about the size of Manhattan.[5] Such a large impact would have had approximately the energy of 100 trillion tons of TNT, or about 2 million times greater than the most powerful thermonuclear bomb ever tested.

The obvious consequence of an impact would be a dust cloud which would block sunlight and inhibit photosynthesis for a few years. This would account for the extinction of plants and phytoplankton and of organisms dependent on them (including predatory animals as well as herbivores). However, small creatures whose food chains were based on detritus might have still had a reasonable chance of survival. It is estimated that sulfuric acid aerosols were injected into the stratosphere, leading to a 10–20% reduction in sunlight reaching the Earth’s surface. It would have taken at least ten years for those aerosols to dissipate.[8][9]

Global firestorms may have resulted as incendiary fragments from the blast fell back to Earth. Analyses of fluid inclusions in ancient amber suggest that the oxygen content of the atmosphere was very high (30–35%) during the late Cretaceous. This high O2 level would have supported intense combustion. The level of atmospheric O2 plummeted in the early Tertiary Period. If widespread fires occurred, they would have increased the CO2 content of the atmosphere and caused a temporary greenhouse effect once the dust cloud settled, and this would have exterminated the most vulnerable survivors of the “long winter”.[8]

The impact may also have produced acid rain, depending on what type of rock the asteroid struck. However, recent research suggests this effect was relatively minor. Chemical buffers would have limited the changes, and the survival of animals vulnerable to acid rain effects (such as frogs) indicates that this was not a major contributor to extinction. Impact theories can only explain very rapid extinctions, since the dust clouds and possible sulphuric aerosols would wash out of the atmosphere in a fairly short time—possibly under ten years.[10]

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(From Wikipedia)

Check back in the coming weeks for some notes about the Chicxulub Crater, which is regarded as the primary meteor impact behind the KT Boundary.


 

Well, I’m back from last night’s DrawnTown 13 in Sioux Falls, which is a great gathering of creative-types and free-spirits, it’s quite cool to be part of. Anyhow, here’s a few new takes, rather rough sketches, on this forthcoming new body of work I’ve developed over this past year. Enjoy!

Check out the Graphic Content blog for even more, and catch me working too!

I like to get out, especially to DrawnTown, which is scheduled for Tuesday in Sioux Falls. (Interesting known fact, ‘London is the Sioux Falls of Europe’, or so I read on a t-shirt)

Here’s the company line via the folks from Graphic Content:

In the past year DrTSF has grown so much, we begin our second year with high hopes of wild success. DrawnTown San Francisco? DrawnTown Santa Fe? Southern France? At any rate, we will start with the new SF Sculpture walk. We will meet at the fountain by the Phillips Ave Diner and go forth to be artists. Tuesday July 13th, 2010 6:30 P.M. ’til the cows come home. Bring your medium of choice.

Sounds good to me, I’ll bring my new art bag, filled with karma and goodies too! (If anyone wants to ride along, feel free to comment below, I always enjoy like-minded company)